Memory and indifference: Thomas Dozol at French Riviera

Susan Sontag once said that the painter constructs, and the photographer discloses. But what if the photographer is also able to hide things from the spectator? In the show ‘Memory Played Like a Violin’, Thomas Dozol does it by covering his photographs with colorful stripes, to which he adds abstracts shapes, patches, and other graphic marks that are […]